Jack Ferver
Jack Ferver has been creating full-length works since 2007. He has been presented at The Kitchen (NYC), The Institute of Contemporary Art (Boston, MA), PS 122 (NYC), The New Museum (NYC), The Museum of Arts and Design (NYC), Diverse Works (Houston, TX), Danspace Project (NYC), Abrons Art Center (NYC), Dixon Place (NYC), and Théâtre de Vanves in France. Shorter and solo works have been presented at MoMA/PS1, Andrew Edlin Gallery, Dance New Amsterdam, LaMaMa E.T.C., The Culture Project, and NP Gallery (all NYC). His work has been written about in The New York Times, The Financial Times, The New Yorker, Artforum, Modern Painters, The Boston Globe, and Dance Magazine. [Full Bio]

Works
- Mon, Ma, Mes
- Two Alike
- Me, Michelle
- Rumble Ghost
- A Movie Star Needs A Movie
- Death Is Certain
- I Am Trying To Hear Myself / Vandam Goodbar
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contact: jferver@gmail.com


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Death Is Certain

Written and choreographed by Jack Ferver

Performed by Jack Ferver, Tony Orrico, and Liz Santoro

Original music composed and performed by John McGrew

Lighting by Kathy Kaufmann

Costumes by the performers

Premiered April 2009 at Danspace Project

“Everything changes. Everything dies. We can struggle, but we will lose.” In Death is Certain, Jack Ferver looks at the manipulative, savage, and desperate ways we try to resist the most certain thing. Ferver tests the limits of the performers’ bodies and emotional states with high octane choreography, physically rigorous tasks repeated to point of exhaustion, and brutally honest text. The performers hold nothing back in their frenetic attempts to negate their fears of mortality. Obsessions over sex, status, and security all provide interesting, but ultimately futile, distractions. A haunting original score created in collaboration with the work, by John McGrew of Apollo Run, accompanies the piece.

Watch ‘Death Is Certain’ ->

“Best dance of 2009”

- Artforum

“…Ferver tackles big subjects and he doesn’t pull his punches.”

- The New York Times

“The young performance artist’s surname brings to mind a quality of his work. To that add outrageousness, surprising subtlety, and huge ambition in subject matter.”

- The New Yorker

Death Is Certain is made possible, in part, with funds from the 2008-2009 Danspace Project Commissioning Initiative with support from the Jerome Foundation. Additional support has been provided by the Bessie Schönberg/First Light Commissioning and Creative Residency Program at Dance Theater Workshop, which is supported by the Ford Foundation, the National Endowment for the Arts - a federal agency, the New York State Council on the Arts, and the Jerome Robbins Foundation. Dance Theater Workshop’s Studio Series is supported, in part, by Time Warner Inc.

Photographs: Michael Hart